A second pair of ears, on your channel
It hears the real audio and MIDI on your track — not a description of it, not a preset — and names what's wrong and why, in plain English.
A mentor inside Ableton that sees your whole project — every track, every device, every knob value. It hears the actual audio and MIDI on your channel, then talks you through this track — what's wrong, why, and what to try next.
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The device · in Ableton Live
Drop it on a track, press Listen. It captures the real audio and MIDI on your channel — and can read your whole live set.
The companion · it hears the track, mentors you
A narrow resonant peak is doing the "loud" work — it's why the hook feels tiring rather than exciting.
It knows your key, scale and groove, and remembers what you already tried — because it was in the room.
It hears the real audio and MIDI on your track — not a description of it, not a preset — and names what's wrong and why, in plain English.
A mentor never hands you one fix: the Standard move, the Pro move, and a Wildcard you'd never have tried — for when the obvious answer is the reason you're bored.
Key, scale and groove on demand, plus a running conversation that knows what you already tried — because it was in the room last session too.
Every track, every device in the chain, every knob value — Overtone walks your entire live set, so the mentor gets the full picture of your actual setup, not a rough sketch of it.
A few full sessions a month — try it on a real track.
For a producer in the DAW most weeks.
Effectively unlimited for a solo producer.
Same mentor on every plan — higher tiers just give you more of it each month. Launch pricing; you'll pick a plan when your invite lands. No card needed to join.
Your track is never uploaded — Overtone only ever sends a small summary of what you're working on, not your audio, not your project. There's nothing of yours on our side to store, train on, or copy.
Your build keeps adding energy, but the drop doesn't change anything — same width, same brightness. Cut the build's reverb tail hard on the downbeat and widen the drop's lead. The contrast is the payoff, not the volume. Here are three ways in:
Your friends say it sounds great. Tutorials say what they'd say to anyone. Overtone sits in the room, hears your track, looks at every plugin you've set — and tells you the truth: too much of this, not enough of that. You make the music — it just never leaves the chair next to you.